knut remond concept composing and imagineering portable set/francisca naef vosnjak soprano voice/volker jaussi light throw-ins

choose: * LET YOUR HAND WANDER ON FLESH TO MAKE POSSIBILITY MULTIPLY * YOU REALIZE THAT YOU'RE ALWAYS SHEDDING PARTS OF THE BODY AND LEAVING MEMENTOS EVERYWHERE *
* I STAB THE BOY. I CUT HOLES TO DRAIN HIM *

Ihr Werk liefert ein bezaubernd, sexy und
düsteres Hörspiel, das mehr Spannung aufbaut als Entspannung bietet

Remond vervollständigt es so
mit soundscape, so dass es an krachendes Eis in einer windigen Polarnacht erinnert.
Deep stucture cosmics vol 3 bietet Klänge gleichsam zu einem beengenden Tunnel, wo
man stets aufs Neue herumirren möchte.
(IS)
TIJD cultuur #199 | B/NL

Most originality lies in the composition technique of Remond I think. He is a very capable soundarchitect. In a way the work sounds very 'narrative' to me, as if Remond is telling a story. And let me tell you, a very interesting one (DM).

STAALPLAAT - VITAL WEEKLY Nr. 294 Week 41

It is a glimpse into a distorted mirror where the images are all unsettled, where unhappy accidents occur and implore you to release them. But all you can do is listen to a thickening drizzle of electricity through which the soprano is forced to navigate an increasingly uncertain path.

"Shaking Black" is a suitable example of a zone devoid of light but full of barely moving entities whose shape and purpose you can never quite identify. This may not be recommended for listeners whose phobias include being cocooned in a thin glass ball on which it is constantly snowing iron filings. But in a dark room, being of only slightly nervous disposition, it can throw light on nether corners of a world too thoroughly mapped.

-Paul Donnelly-

Stéphane F.